franchise
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Although initially derided as nothing more than a rip-off of similar dystopian novels (and their subsequent film adaptations) The Running Man and Battle Royale, author Suzanne Collins saw her book series become increasingly popular due to how it tied in with the contemporary societal fear of graphic violence co-existing with inane entertainment. Collins devised the idea for her original 2008 novel whilst at home channel-surfing, with the image of a bleak reality showcased by war reports on news channels making an uneasy bedfellow with the artificial reality of TV talent competitions. A dystopian fantasy that now closely resembles our reality As the adaptation of the final chapters in Collins’ trilogy closer Mockingjay Part 2 makes its way to the big screen, it is less than a week after the world was left horrified by images of terrorism in Paris.
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There are franchises that have their special days to commemorate their enduring legacy, usually ones which are directly implied from the films. Star Wars, for example, has its May 4th as a reference to the famous “may the Force be with you” quote, and the Back To The Future trilogy also has its own. As the series centres on time travel and that there are a number of dates which our heroes transport to, the one that arguably stands out as ‘Back To The Future Day’ is October 21st, 2015.
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Fantastic Four is a film that people wanted to hate from the start. First, there was the controversial casting of Michael B. Jordan as the traditionally white character Johnny Storm; shortly following this was the discovery that Victor Von Doom was a computer hacker instead of a brilliant inventor; finally, there was the casting itself, which involved younger characters just finishing high school, whereas most adaptations of the story present the Fantastic Four as adults.
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Two decades after the original Jurassic Park became the most successful film of all time at that point and ushered in the era of CGI, the blockbuster cinema landscape is very different. With Marvel Cinematic Universe, franchises six or seven sequels deep, and young-adult dystopias dominating the big releases more and more every year, original screenplays or adaptations of adult-oriented novels are struggling to make an impact – it is inconceivable that Steven Spielberg’s classic could have been released today with anything near the same level of success as in 1993. And so while the original film has a devoted fan base, few would have thought there was that much demand for a new Jurassic Park film, especially after its two increasingly inferior sequels.
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Before watching Ant-Man, it would be safe to predict that the movie would be the film that destroys the foundations of the Marvel Cinematic Universe. This is a film that has suffered from well-publicised production troubles, leading many to question the artistic integrity of the directors the studio chooses to helm its projects, whose directorial vision has to be sacrificed in order to create another chapter in studio head Kevin Feige’s grand master plan. Production troubles sometimes lead to fantastic movies, but more often than not, they lead to gigantic box office flops – not even the seemingly unbeatable Marvel can overcome that, surely?
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The hottest and most popular film genre is the superhero genre. Since the late ’90s, thanks to DC Comics and Marvel Pictures, they have consistently produced superhero films that bring audiences in big masses to theaters. So far this year, there have been three films from that genre, and we are still waiting for the much-anticipated release of Marvel’s Guardians of the Galaxy on August 1st.