France
Petite Maman, all in all, shows Sciamma at her most profound and mature. Grab a tissue and prepare your heart if you’re going to see this.
With a beautiful 2K restoration, a great audio track, and an incredible selection of supplements, this is absolutely worthy of addition to any collection.
While on the outside it seems like Memory Box tells a familiar story, it’s an introspective, affecting, and visually inventive film.
Full of unfunny human characters and a plot that doesn’t even involve its iconic animal characters, Tom & Jerry is a gross miscalculation.
Pleasure is a film that can be difficult to watch, but is so mesmerizing that it can also be hard to look away.
In the long tradition of many Oscar submitted-films before it, its a shame to see Two of Us try to do too much.
While it doesn’t give its audience straightforward answers, Echo offers a kind of diagonal empathy that’s refreshing and valuable.
Well, like so many of these director anthologies, Six from Paris suffers from the flippant transparency that’s all too common with this informal subgenre.
A Grin Without a Cat is a potently poetic diatribe regarding political fervor, social upheaval, and oppression of all kinds.
Black Panthers shows the resistance group through the words of its own members and the curious eyes of a visitor.
Hannibal Rising poses the question about what kinds of monsters we make of ourselves by settling for the aesthetics of political virtue.
Daryl MacDonald spoke with Tomm Moore and Ross Stewart to discuss the third in their unofficial Celtic folklore triptych: Wolfwalkers.
Summer of 85 is one of the best coming of age stories in recent memory – an affecting tale of first love and first heartbreak.
Those who bought tickets to see the woman-meets-ride romance won’t be disappointed but Jumbo has more on its mind.
In an era where hand-drawn animations are fewer and fewer, films like this one ought to be shouted from the rooftops and celebrated.