France
Céline Sciamma’s Petite Maman follows a young girl exploring her mother’s childhood home and finding another girl in the surrounding woods.
The debut feature from Swiss filmmaker Andreas Fontana, Azor is a sophisticated and sinister thriller suffused with a lasting feeling of unease.
Les Diaboliques’ intriguing and twisting story will keep you guessing, entertained and horrified, while showcasing the craftsmanship behind the classic.
Not everyone will be won over by the weirdness of Annette, but for those who are, they will absolutely love it.
The latest film from writer-director Anne Fontaine is a new take on an old legend: that of Snow White and the Seven Dwarfs.
Based on Hannelore Cayre’s novel, Jean-Paul Salomé’s La Daronne – Mama Weed in the U.S. – is a dark comedy about a translator-turned-queenpin.
For this week’s entry of Queerly Ever After, we take a look at 2002 French TV-movie You’ll Get Over It.
Looking back on Chris and Paul Weitz’s 2002 comedy About a Boy, one can’t help but find a perfect pandemic watch.
The 2021 collection of New French shorts has a wide range of genres, from science-fiction to slice-of-life realism, and some wildly experimental animation.
Grímur Hákonarson’s The County follows an Icelandic widowed farmer as she fights beauracratic corruption and injustice.
While Spring Blossom shows potential, especially in Lindon’s acting and directing, the script here falls flat.
Shannon Walsh’s documentary: The Gig is Up, paints a simmering, sobering picture of the global gig economy.
With About Endlessness, Roy Andersson once again weaves together short vignettes that uncover the intricacy and vulnerability of the human condition.
A detailed review of Olivier Assayas 1996 film Irma Vep the Criterion edition that includes audio, video, and special features.
The Queerly Ever After column celebrates its 50th entry with Christophe Honoré’s 2007 film Love Songs (Les Chansons D’Amour).