France
Full Time is a panic-fuelled portrait of human resilience that’s crafted with both urgency and grace, examining the self-sacrificial nature of parenting.
The worlds of animation and live-action collide in the eclectic tapestries of Chloé Mazlo’s Skies of Lebanon.
For the second Inquiring Minds we tackle the 1965 Jean-Luc Godard sci-fi noir feature, Alphaville.
Cannes Film Festival 2022: Alice Winocour’s PARIS MEMORIES is a Mature Study of Violence and Healing
Paris Memories was the final film I saw at the fest and in its quiet, assured way, was one of the most satisfying.
Charming and sympathetic portrayals by Alséni Bathily and Lyna Khoudri make Gagarine feel warmly satisfying and make it a peculiar French indie.
For this Horrific Inquiry, we take a look at the 2010 horror starring Ryan Reynolds: Buried.
Once you remove the explicit content, there’s not that much about Pleasure that is truly revolutionary, or even rebellious.
Elena López Riera’s El Agua is a slow, seductive, and assured tale of young love and mysticism in an exquisitely rendered Spanish village.
R.M.N. is the work of an artist with a rare gift for transmogrifying culture, politics, and ideology into human drama.
Amidst a sea of dull, insipid, even sadistic takes on the beautiful, suffering royal lady story we’ve seen, Corsage breaks like the sun through the clouds.
Black Box as a whole will keep viewers engrossed and unsure, its unpredictability and weaving mystery an entertaining venture.
While not the most groundbreaking or inspiring film, it’s still a masterful piece of early Truffaut filmmaking and storytelling and a revered classic.
In his final report from Sundance Film Festival, Wilson Kwong reviews Happening and Girl Picture.
In our latest report from Sundance Film Festival 2022, Wilson Kwong reviews Fresh and Worst Person in the World – both films demanding attention.