foreign film
Bong Joon-ho’s Parasite made history by winning both the Oscars for Best Picture and Best International Feature Film. But why exactly is this such a big deal?
Watching Claire’s Camera feels like watching a film being made right in front of you with director Hong laying bare his cinematic style in that he doesn’t know where he’s taking us, but he’s just as interested to find out.
Salamis Aysegul Sentug examines a trilogy of movies that not only embrace the art of night but also celebrate it as a field of creative space where artists and writers venture out.
Abbas Kiarostami was an Iranian filmmaker that was part of the Iranian New Wave, a movement concerning self-reflexive and humanistic films.
Kaili Blues is a debut feature that is inspired by many Chinese filmmakers that came before; yet it emerges as a unique and compelling film.
Elle faithfully transcribes the original book “Oh…”, presenting masochistic and sadistic elements as comedy in the darkest form.
Raj Kapoor, Dilip Kumar, Nargis, Dev Anand, Vyjayanthimala, Guru Dutt, Madhubala, Raaj Kumar, Rajesh Khanna, Meena Kumari, Shashi Kapoor, Hema Malini, Sanjeev Kumar, Amitabh Bachchan, Rekha, Anil Kapoor, Madhuri Dixit, Salman Khan, Shah Rukh Khan, Kajol, Aamir Khan, Aishwarya Rai, Hrithik Roshan, Kareena Kapoor, Priyanka Chopra, Ranbir Kapoor, Deepika Padukone. To a majority of westerners these names will have very little resonance, if any at all. For many cinemagoers on the Indian subcontinent, however, these highly-revered and much-followed household names together epitomise the most significant cultural product in the region:
Over at our official Facebook page, we are currently posting daily film recommendations, with each week being a different theme. This is a collection of those recommendations! This week’s theme is Foreign Action Films!
If you look at the films of Hong Kong before and after 1997, there is a striking difference. The action films leading up the nineties were fast-paced, tough, gritty with an edgy quality that paralleled Hollywood’s assembly line modeled studio era. The years surrounding the handover of Hong Kong to mainland China around 1997 proved to be an uncertain time for Hong Kong’s bustling film industry.
The 1980’s through the years leading up the handover in 1997 were paramount in Hong Kong’s long-running series of action films. They have yielded some of the best titles to have emerged from the crown colony as it was in this era. The very words “Hong Kong” at this point in time stirs up images of hit men wielding two handguns, flying swordsmen, and an endless array of bright neon lights.