Florence Pugh
In Ari Aster’s follow-up to Hereditary, Midsommar, a young woman reluctantly joins her boyfriend on a summer trip where things quickly go awry.
Fighting With My Family is a lovely little British gem and while it’s not perfect, Merchant shows admirable potential as a director.
In FIghting With My Family, a former wrestler and his family make a living performing at small venues while his kids dream of joining WWE.
Outlaw King is ambitious, striving for originality and historical accuracy, but overall fails to bring much to the table in terms of grounding its characters.
Lady Macbeth pokes at the romanticized perspective of Victorian-set films, becoming more akin to a macabre neo-noir.
The Falling, the first drama feature by critically acclaimed director Carol Morley, went largely unnoticed on its general release. Despite collecting high praise from the critics, and starring Game of Thrones’ Maisie Williams in the lead role, The Falling was almost a blink-and-you-miss-it situation. This seems absolutely tragic, as I would have no reservations in rating it as my favourite film of 2015.