film noir
The chemistry between Bogart and Bacall and Howard Hawks’ storytelling have turned The Big Sleep into a lasting classic.
On it’s 25th anniversary, Orson Welles’ oeuvre The Stranger towers over the thrillers with which it’s so often been unfairly bundled over the years.
If The Maltese Falcon is a work of high Modernism, then The Big Sleep has more in common with Postmodernism, with an obsession with the simulacrum of detective stories, not the quest for truth.
For a movie that supposedly criticizes what it portrays and updates the film noir for 2019 and , Under the Silver Lake comes up embarrassingly short.
We spoke with Russian director Vladislav Kozlov about his film The Killers, for which he was awarded “Best Director” at Rhode Island International Film Festival.
Read our review of Nicholas Ray’s genre-defying, low budget gem On Dangerous Ground now streaming on the Criterion Channel.
Film Inquiry spoke to director Carol Morley about Out of Blue, why she chose to adapt a Martin Amis novel, and why Patricia Clarkson is a gay icon.
In Video Dispatches we cover recent home video releases. This week, My Name is Julia Ross (1945), So Dark the Night (1946), and Mikey And Nicky (1976).
I Am the Night is a thrill ride that not only tells Fauna Hodel’s incredible story, but also pays homage to the LA noirs of the past.
This month’s Staff Inquiry is all about our most beloved examples of film noir, picking from the classic era of the ’40s and ’50s.
As a follow-up to our previous recommendations on underrated 1940s noir for Noirvember, we jump a decade later, to the 1950s.
In celebration of Noirvember, we present to you a list of 15 underrated classic noirs from the 1940s.
Gemini asks, in a city overflowing with people who want it all, when you’re famous, are you ever really safe?
Basic Instinct is a famous noir thriller by Paul Verhoeven from 1992; here is why it is still both celebrated and reviled today.