If The Maltese Falcon is a work of high Modernism, then The Big Sleep has more in common with Postmodernism, with an obsession with the simulacrum of detective stories, not the quest for truth.
We spoke with Russian director Vladislav Kozlov about his film The Killers, for which he was awarded “Best Director” at Rhode Island International Film Festival.
In Video Dispatches we cover recent home video releases. This week, My Name is Julia Ross (1945), So Dark the Night (1946), and Mikey And Nicky (1976).