film industry
Have you ever met a person who is simultaneously hot and cold? Beloved and hated? How about celebrated and condemned?
The marketing team for Paul Feig’s most recent film, Spy, should really reconsider their occupation: this was one of my first thoughts as the credits for the film rolled and I began to head for the exit. The trailers and posters for the film made it seem like little more than Paulina Blart:
Independent filmmakers spend a lot of time and money applying to film festivals. With each passing year, the number of competitive film festivals seems to grow almost exponentially. And with submission platforms like Withoutabox.
Life Itself is a superlatively crafted documentary that gives a compelling, poignant insight into Roger Ebert, while also delving into the subject of film criticism and its relationships with the film industry. When I want to see a film’s critical reception, I head for Rotten Tomatoes rather than IMDB, because the latter is saturated with fan-boys and uninformed opinion. Rotten Tomatoes introduced me to many different critics who wrote for reputable sources such as The Guardian, The New York Times and The Telegraph, but time and again I was drawn to the small thumbnail image of a white haired, bespectacled man who wrote for the Chicago Sun-Times.
Birdman was the big winner at the 87th Academy Awards, tying for most awards won and also taking home two of the biggest awards: Best Picture and Best Director. That it won Best Picture shouldn’t have been a surprise, especially given the Academy’s recent track record.
If you read the premise for D.E.B.
At some point in life, everybody does something brave. Whether it’s as big as rescuing somebody from a burning building or just standing up to the bullies who have taken their lunch money, it’s these moments of courage that continue to define them as a person. In every single movie he’s in, Nicolas Cage has a moment of courage that elevates whatever straight-to-DVD mess he’s in from something mediocre into something slightly less mediocre.
We don’t hear about the Tunisian cinema as often as we hear about the Moroccan or Iranian ones. We don’t have a major film festival like the Cairo International Film Festival or the Beirut International Film Festival, but we do have one important, symbolic one: the Carthage Film Festival.
Earlier this week, the British government announced that after years of trying to make it work, they were finally giving up what was already a losing battle. From 2015, it will no longer be illegal to file-share in the UK, to the fears of the entertainment industry. Instead, certain internet providers will email their customers just four warning letters per year informing them at how their killing the industry, to which they’ll probably reply with a shrug and will continue to download the latest episode of Game of Thrones without a second thought.