film industry
We sat down with Tema Staig, the woman behind Women In Media, who has been pushing for the acknowledgement and hiring of women in the film industry.
Audio-visual media have become intertwined. For both to survive in a digital age, cooperation between TV and cinema has become a go-to strategy.
Cinefemme gathered another group of inspiring female filmmakers, writers and content creators for the fifth iteration of Dinner With Dames, to dine with Morgan Long of Requiem Entertainment, and casually discuss film industry issues facing women.
Phil Drinkwater & Tim Woodall tell about how what went into making their BFI-backed psychological horror film Broadcast Signal Intrusion.
Film Inquiry has joined Seed&Spark in their mission to make the film industry more inclusive with their #100DaysOfDiversity initiative. Join us!
Amy Adrion shared her insights on gender inequality in the film industry and how we can create change for women in Hollywood.
News of DC’s Wonder Woman writers abandoning her bisexual identity in favour of a completely heterosexual romance with Chris Pine’s Steve Trevor came as Gal Gadot confirmed in a recent interview that this aspect of Wonder Woman’s comic book identity will not be featured in next year’s blockbuster. DC comic writer Greg Rucka confirmed earlier this year that Wonder Woman had “obviously” been in relationships with other women as she lived much of her life on an all-female island and so “it makes no logical sense otherwise” for her to have not had same-sex relationships in the past. The decision by the film’s writers to maintain a heterosexual veneer over an originally LGBT superhero is not really a surprising one.
You would be hard-pressed not to find a panel discussion on the topic of ‘Women In Film’ at most leading global film festivals at present, given it’s an issue that has come into increasing focus in recent years. In the Hindi film industry particularly, matters of the portrayal of women and the disparate treatment of actresses have similarly become popular talking points. In its on-screen portrayal of women, Hindi cinema’s approach has historically been quite dire, with women traditionally being depicted as subservient and submissive, with their entire role predominantly being about the male lead.
Nineties psychological horror The Blair Witch Project wasn’t an instant hit. Though a triumph with critics, its box office success was slow, but it now stands as one of the most financially successful independent films of all time, and as a forefather of the found footage trend. Not only did The Blair Witch Project pave the way for found footage horrors like [Rec], V/H/S, and the Paranormal Activity series, sci-fis and fantasies like Cloverfield, Trollhunter and Chronicle also used the format.
As readers may or may not know, I took a break from writing these past few months as I was running my first ever film festival. The Drunken Film Fest (DFF) had its inaugural year in Bradford, England this past summer and it was pretty successful for a first year free film festival, if I do say so myself. However, my background when it comes to festivals is not in running them, but rather in trying to get accepted to them.
On Thursday, September 22, Blair Witch writer Simon Barrett is hosting the very first Dinner With Dames (DWD). Organised by Jenna Payne in collaboration with Cinefemme, it’s an opportunity for a group of up-and-coming women filmmakers to enter a dialogue about diversity issues and obstacles women face in the entertainment industry, while enjoying a meal. High level industry players are invited to every dinner, in an attempt to break down the barriers of access, help demolish the myths about female filmmakers and to promote more conscious hiring practices in Hollywood.
Has Scarlett Johansson ever hurt anyone? Really, has she? Yes, maybe her character Natasha Romanoff in the Iron Man and Avengers movie series has broken a few people’s bones, maybe a fibula here and there.
MixKnowledgy is the brainchild of two up-and-coming entrepreneurs, Erman Baradi and Brandon Waites. Erman Baradi, born and raised in Virgina Beach, is an aspiring screenwriter and multi-tasker breaking into Hollywood from the East Coast. He launched the Rel/Event Series in 2015 which featured panels of established speakers in the entertainment industry, primarily in film and television.
It has been five weeks since Batman Vs. Superman debuted at cinemas worldwide to a gargantuan opening weekend, followed immediately by toxic word of mouth that has caused the film to fade into irrelevancy even as it is still playing in theatres. The fact it could have potentially derailed Warner Bros.
In this episode of The Power of Film, I had the pleasure of speaking with Eugene Sun Park, who is a producer and experimental filmmaker in Chicago. We got to chat about the Chicago film industry (and how it differs from Hollywood), his production company Full Spectrum Features and supporting filmmakers of all kinds, the film he’s producing and currently crowdfunding, Signature Move, as well as the awkward, awkward moment at the Oscars where Chris Rock brought out three stereotypical Asian American kids, and no one thought to maybe scrap that, beforehand. Upcoming film: