film festivals
This week Jesse Nussman is joined by Film Inquiry Editor in Chief Kristy Strouse to discuss the 2021 Sundance Film Festival.
High Ground passes every landmark of the proliferating Meat Pie Western but is unable to escape the calculable cliches.
The COVID-19 documentary 76 Days is urgent and wrenching, unbashful in its presentation of tragedy and confusion.
We continue our 2020 coverage of the Melbourne Documentary Film Festival with two more reviews: Man on The Bus and Can Art Stop A Bullet?
Even if audiences choose to return, will the festivals be there for them, or will we see a paradigmatic shift to these industry events lodging themselves online permanently?
Film Festivals bring to audiences films that are powerful and necessary – so why are they all so exclusive?
In our latest recap from the Tokyo International Film Festival coverage, Tynan Yanaga reviews Lust in a Karaoke Box and Melancholic.
In part 1 of our Tokyo International Film Festival coverage, Tynan Yanaga reviews Chaotic Love Poems and Rent A Friend.
Vox Lux is a weighty experience guaranteed to take a toll on viewers, both from its philosophical musings and its uncompromising look at 21st century violence.
For this latest report from Film Fest 919, we into Robert Redford’s final film, the documentary about Orson Welles, and a Hillary Swank-starring drama.
Two reviews of films from the Lavazza Italian Film Festival, Loro by Paolo Sorrentino and Boys Cry, a gangster film from the D’Innocenzo Brothers.
In our first Melbourne International Film Festival report, we cover a collection of films, including Columbian crime dramas, a time-bending German war film, and an experimental exercise in young adult race relations.
We continue to cover the multitude of films coming from London Film Festival, with reviews of among others, 1%, Lean on Pete and Good Manners.
Axel Grigor, editor/director of the documentary about legendary Australian film editor Jill Bilc*ck, spoke with us about his film and editing.
Mini-series Fucking Adelaide premieres at Adelaide Film Festival on October 8 – Alex Lines spoke with Director Sophie Hyde.