film festival
Leading with the theme of “audacity in cinema,” the 14th edition of the South East European Film Festival took flight in Los Angeles from 5/1-5/8.
Francis Ford Coppola’s Apocalypse Now, was the movie no one wanted to make. 40 years later we helped celebrate his masterpiece at the Tribeca Film Festival.
Alistair Ryder and Gus Edgar report from Cannes Film Festival with reviews of Gaspar Noé’s latest, Robert Eggers’ The Lighthouse and more.
Trust Machine is a perfect introduction into a very complex field, accessible and informative to those who are unfamiliar with Bitcoin and Blockchaining, but still enlightening to those who do.
Gus Edgar, Maria Lattila and Alistair Ryder report from Cannes Film Festival 2019 with reviews of Little Joe, First Love, Rocketman, Atlantics and more.
Trial By Fire is an expertly-crafted work of art that doubles as a biopic and perceptive, dual character study, brimming with jaw-dropping performances.
Netflix arrived at the Tribeca Film Festival swinging with two of their narratives, Extremely Wicked, Shockingly Evil and Vile and See You Yesterday.
Check out our interview from Tribeca with multi-talented rapper and actor Astro about his performance in the new time-travel film See You Yesterday.
Stephanie was able to speak with Stefon Bristol at Tribeca, the director of the upcoming sci-fi time travel film See You Yesterday.
We had to opportunity to sit down with the director of Good Posture, Dolly Wells, as well as the film’s leading ladies, Emily Mortimer and Grace Van Patten.
In this round-up of Tribeca Film Festival 2019 reviews, Stephanie Archer reviews four more narrative features.
In her second Tribeca documentary report, Stephanie Archer reviews Red, White & Wasted, Lil’ Buck: Real Swan, The Quiet One, and Sublime.
Gus Edgar & Alistair Ryder report from Cannes, with reviews of The Dead Don’t Die, Deerskin, Les Miserables, Bull and A Brother’s Love.
We spoke with Katherine Propper, writer/director of the short film Street Flame, which premiered at Tribeca 2019.
Tribeca 2019’s documentaries were a roller coaster ride of emotions. Stephanie Archer reviews The Leftover Women, After Parkland and more.