Film Fest 919
In his final report from Film Fest 919, Josh Martin takes a look at four very different films: Collisions, Cyrano My Love, Marriage Story and In Fabric.
In his latest report from Film Fest 919, Josh Martin reviews Jojo Rabbit, Motherless Brooklyn and The Report.
In his third report from the second annual Film Fest 919, Josh Martin reviews Clemency, The Aeronauts and The Two Popes.
In his second report from Film Fest 919, Josh Martin reviews Ford V Ferrari, Honey Boy and The Truth.
Our first dispatch from Film Fest 919 includes reviews of Brazil’s genre-bending Oscar entry, Trey Edward Shults’ emotional epic, and Ken Loach’s latest social drama.
Vox Lux is a weighty experience guaranteed to take a toll on viewers, both from its philosophical musings and its uncompromising look at 21st century violence.
Boy Erased is a sturdy drama with some touching moments and strong performances, enhanced by much-needed glimpses of dramatic sensitivity within the confines of a tough story.
In his final Film Fest 919 recap, Josh Martin delves into Jake Gyllenhaal’s latest, a challenging take on the Western and the most delightful film of the festival.
For this latest report from Film Fest 919, we into Robert Redford’s final film, the documentary about Orson Welles, and a Hillary Swank-starring drama.
Roma is a film that improves with each passing minute; even though occasionally underwhelming, the longer it lingers in your mind, the more of an impact it will have.
Green Book is cinematic comfort food, equipped with witty performances and the aura of social importance, yet undistinguishable from the tons of other polite Oscar dramas that came before it.
In our first report from Film Fest 919, Josh Martin recounts the nauseating absurdity of Dogman, memorably fascinating Destroyer and Cannes’ Palme d’Or Shoplifters.