feminism
Nora Ephron’s You’ve Got Mail has been accused of everything from misogyny to being capitalist propaganda – Julia Smith thinks otherwise.
Rough Night starts weak- but with a decent amount of laughs and a deconstruction of gender tropes, it soon becomes a breath of fresh air.
Band Aid is a fantastic directorial debut- an utterly charming romantic comedy and an irresistible musical rolled into one.
Old Enough is an affectionately accurate depiction of how it feels to grow into an age when the opinions of friends are all that matters.
We spoke with Sarah Moshman about her latest documentary, Losing Sight of Shore, which is now available on Netflix.
Sofia Coppola’s The Virgin Suicides is a film about five sisters that is often dismal and dark, yet it also conveys powerful feminist themes.
Losing Sight of Shore is an inspiring and empowering documentary about four women who crossed the Pacific Ocean in a rowboat.
A Quiet Passion shows us that there is much more to the mythos of Emily Dickinson than meets the eye, and with Davies’ ever-lyrical vision at hand, the end result is the most comprehensive picture of her that we may ever have.
Otto Bell’s documentary The Eagle Huntress is empowering – even if it does frequently feel staged or exaggerated for dramatic effect.
Disney smartly cast Emma Watson as Belle in Beauty & The Beast; we explore the similarities between the feminist actress and character.
With Certain Women, director Kelly Reichardt has created one of the most human cinematic universes in recent memory.
Nora Ephron had some very strange ideas about feminism and femininity, and today we pick apart You’ve Got Mail to prove it.