femininity
When contrasted against the special designation conferred upon Final Girls, it seems apparent that the horror genre permits its mothers limited options.
With The Other Lamb, Malgorzata Szumowska gives us a fresh perspective on the topic that proves to be just as challenging as it is wickedly absorbing.
The Desire of Dilemma is an eye-opening and a vital informational showcase on female sexuality for everyone, today, yesterday and tomorrow.
There really isn’t much subtlety to a boy-meets-girl story in which the girl has the ability to literally part the clouds and stop the rain.
Ruth Caudeli’s Second Star on the Right winningly captures our varying levels of maturation and individualism, with beauty and style.
From the first frame to the last, Firecrackers is clearly a story by women, about women, stubbornly through their gaze without regrets.
While men have come in and out of Fleabag’s life, her relationship with Claire has been the defining relationship of the series, making Fleabag the ultimate love letter to sisterhood.
Jupiter Ascending was a critical and a box office failure. Aaron Berry examines it from the point of view of the directors’ own transition.
With gorgeous cinematography, The Third Wife invites us into a broken world of arranged marriage and patriarchy in 19th-century Vietnam.
Born sexy yesterday is the common sexual fantasy depicted in films and TV around female characters that exude sex appeal, but mimic the intelligence of a young child.
Soni, as a gritty realist portrait, feels fresh and unique – both in it’s portrayal of Kalpana and Soni and its technical achievements.
Maria Lattila examines how generic slashers actually hide a hugely empowering element, the Final Girls of horror fulfilling and enabling feminine power and potential.