female protagonist
Landline’s Gillian Robespierre & Jenny Slate understand that female characters can do unlikable things while still earning our empathy.
Fighting Belle initially seems to have potential as a unique and inspirational revenge story, but it ultimately feels cringeworthy instead.
Wonder Woman and Atomic Blonde have proven that women can have strong leading roles; here are more that show our favorite cinema heroines.
Rainy Kerwin’s debut film The Wedding Invitation is a well done romantic comedy with a strong story executed by a strong female cast.
Jenkins, Gadot and company all worked admirably to bring the first Wonder Woman film out in a grand, exciting way, and that work has not gone to waste.
Old Enough is an affectionately accurate depiction of how it feels to grow into an age when the opinions of friends are all that matters.
Yellow Fever wants to be an important film about Asian identity, however it falters and falls back on tired Hollywood plots and stereotypes.
Real Artists is an Orwellian science fiction short film written, directed, produced & performed by women – a rarity – but it sure delivers.
Does the sixth instalment in the Resident Evil franchise break the mould by being the movie that fans have always wanted?
Cents is a film about a teenager attempting to find her identity; though not without its shortcomings, it is a refreshing and admirable film.
Elle faithfully transcribes the original book “Oh…”, presenting masochistic and sadistic elements as comedy in the darkest form.
What is not my definition of a strong female character is throwing together an overly sexualised outfit for a female actress and giving her a gun and some one-liners and then declaring that “sexism is over”.
Leyla Bouzid’s French-Tunisian drama goes above and beyond the traditional coming of age story, using one girl’s journey to adulthood to explore politics, revolution and state sanctioned violence. As I Open My Eyes, gaining international attention for its portrayal of the Arab Spring, seeks to tackle such a prominent and life altering event through the eyes of its young protagonist: Farah.
The Silence of the Lambs is an enduring piece of cinema. Jonathan Demme’s crime-thriller touched a nerve because of its mainstream appeal crossed with glimpses of macabre imagery. A young FBI trainee named Clarice Starling (Jodie Foster) is enlisted by her superior to visit with notorious cannibal Hannibal Lecter (Anthony Hopkins) in prison with hopes of gaining insight into another active serial killer: