fantasy
Blake Collier takes a deeper look at the three Estus W Pirkle-Ron Ormond films that bookended the 1970s.
All things considered, A Mermaid in Paris is simply a joyful exploration of being a believer, in whatever context you choose to sew that thought into.
Entwined, from director Minos Nikolakakis, succeeds in its story, a slow burn that is hypnotizing, peeking the interest of its viewers.
While Lucifer season 5 suffers from its fair share of shortcomings, the series remains entertaining and engaging.
Lovecraft Country is a knockout of a show, and one that is epic, terrifying, and relevant altogether.
Matteo Garrone’s latest fantasy Pinocchio offers a more realistic portrayal of the classic tale that still incorporates some escapist fantasy elements
All and all, Good Manners is a flawed narrative with a good heart and powerful message at its core.
While not a solid addition to the mystical stories of old, Cursed will keep viewers entertained while introducing a new generation to the stories of old.
We spoke with director Zetna Fuentes about Netflix’s latest series Cursed, the retelling of a classic legend through the female perspective.
While missing opportunities along the way, A Whisker Away makes up for it with its stunning original art and world of humanoid cats.
The Old Guard delivera propulsive sets of action, plenty of over-the-top violence, and breathtaking vigorous energy from Charlize Theron.
Frances Maurer examines the odd phenomenon of children’s fantasy stories being reduced to nothing more than a dream.
An over the top, aimless blunder of foolery, Dreamland is remarkably disastrous yet instantly forgetful.
Unlikely to convert any new fans to the series and even less likely to please old ones, Artemis Fowl is a passionless adaptation.
There is so much going on in The Accompanist that none of the elements ever really come together to form a cohesive story.