Yes, It’s a Wonderful Life is wholeheartedly a festive classic of the highest order, but it is, more importantly, a lesson that teaches us true richness cannot be determined by wealth.
Mortal Engines clearly understands its source material, which makes for a fantastic first act, but has trouble successfully adapting it, resulting in the rest of the film being lackluster.
EM Waves. Polarization. 3D. Have you heard terms like these flying around sci-fi movies and TV? Have you ever wondered about their scientific accuracy?
For those in love with the Archie comics, the original Sabrina and Riverdale, Chilling Adventures of Sabrina is sure to please, with its reimagining providing a little something for everyone.
The Crimes of Grindelwald introduces us to a plethora of new characters, attempts to do too much with them, and then, unfortunately, overly relies on the nostalgic factor of the original films.
With Slaughterhouse Rulez, it seems Simon Pegg and Nick Frost haven’t quite let go of the comedy/horror genre, only this time with a different director and with uneven results.
The most frustrating thing about The Nutcracker and the Four Realms is it’s not a terrible movie – just a movie that’s never interesting, magical, or perilous.
In the Japanese films Your Name and My Tomorrow Your Yesterday, a similar theme can be formed, that of the Time Travel Dream Girl. We discuss what that means in the context of each film.
As a work of storytelling, Guadagnino’s reimagining of the canonical giallo is a boring mess with higher thematic aspirations than it’s able to realise.
Transit and Diamantino are two films that, though with varying approaches and to varying success, attempt to delve into the political turmoil of our world through their narratives.