fantasy
After last Sunday’s ending to American Gods, we were ready to get some answers on what happened to Shadow.
While there was not much progression in the narrative in Shadowhunters’ “Beati Bellicosi”, there were epic pieces put into play.
After a 2 year hiatus, American Gods returns to form bring back element sof the show viewers fell in love with as well as giving room for others to shine.
While it’s an indication that the final episode is drawing closer, the end is nigh for Shadowhunters, and it was never as apparent as in “Original Sin”.
With the end in sight, there seems to be trouble brewing from every angle for the Shadowhunters in the coming future.
Isn’t It Romantic is not a game-changer in the romantic comedy sub-genre, but it’s a proud statement by Wilson that everyone should get behind.
Like Ocean’s Eight before it, What Men Want is proof that it takes more than genderswapping to make something old new again.
How to Train Your Dragon: The Hidden World brings the franchise to a moving conclusion in a way that touches on very relevant themes about animal rights, growing up, and making sacrifices.
Fantasy and sci-fi films push our suspension of disbelief regularly – but can we complain about them being unrealistic if this is pushed too far?
A form of political agenda has been present in film since the dawn of cinem, with YA adaptations like Harry Potter and The Hunger Games influencing a new generation.
It’s undeniably flawed, but considering its mindbogglingly low £2,000 budget, The Bastard Sword is an impressive achievement.
A happy accident spit out the low-budget Hollywood machine, Teen Witch is compelling in a way that no individual person could pull off on their own.
“A Midwinter’s Tale” was a solid episode, packed with holiday cheer, ill-willed entities, and potential demonic tragedies, making it one of the best in the series thus far.
If the Fantastic Beasts films are going to recapture the magic of Harry Potter, they need to focus on where their true magic lies, and that might be with one man named Jacob Kowalski.
Welcome to Marwen is an unfortunately shallow endeavor, with trite dialogue and a saccahrine portrait of very serious issues.