fantasy
Unlikely to convert any new fans to the series and even less likely to please old ones, Artemis Fowl is a passionless adaptation.
There is so much going on in The Accompanist that none of the elements ever really come together to form a cohesive story.
Now available on Mubi, Ghost Town Anthology evokes the presence of a forgotten and bedeviled past buried underneath it.
F.W. Murnau’s undeniable classic Nosferatu is a chilling, unsettling experience and a true case of mise en scène artistry.
Full of innovation and imagination, The Vast of Night plays to the corners of the human mind that dare to dream and recoil from what we fear.
I have a book that’s been staring me in the face for years. It sat…
The Wolf House uses stop-motion animation to render the world inside the titular house as an ever-evolving nightmare, and is completely immersive despite its freakiness.
The Clone Wars starts off in the light and ends in the dark. The show ends in an exhale, without a post-credits inhale to give us hope.
As the final season of Clone Wars dipped further and further into the timeline of Revenge of the Sith, it was apparent that we were going to see Ahsoka have to face Order 66 on her own.
As Clone Wars leads us further and further toward end of the series, the show is beginning to set the pawns in place for their final showdown.
Cargo fails on its promise to meld the concepts of science fiction, fantasy and Hinduism, and ends up feeling muddled.
Disney is brilliantly setting up The Clone Wars and The Mandalorian for the price of one and is creating the kind of connective thread that made the MCU films so successful.
While we’ve followed the bad batch for four episodes now, the reintroduction of Mace Windu and Obi-Wan Kenobi helps to signal to us that we’ve arrived at a new plotline.
Castlevania is just as exciting as any season that came before and raises the bar with one of the most shocking penultimate episodes of the entire show.