fantasy
It feels as if all the tools are in place for a live-action How To Train Your Dragon to stick the landing at the box office.
If Neon can stick the landing, The End has potential to be a breakout indie hit and a generational film of 2024.
Tuesday was a beautiful and moving film, if you haven’t seen it, you need to and you need to tell five friends to do the same.
The Crow struggles to connect with audiences due to its lack of compelling character development and chemistry.
From this year’s New York Asian Film Festival we take a look at Pattaya Heat, Twilight of the Warriors: Walled In & Brush of the God!
When I think of epic and intimate storytelling in animation, I think of The Lion King (1994).
It has a lot of charm and it’s refreshing to see something playing by its own rules and not following a rigid formula.
Kung Fu Panda 4 has lost some of its mojo, but still has a few nice moves left in this old franchise.
From Ridley Scott’s Alien to David Cronenberg’s The Fly, From Little Shop of Horrors to Frankenstein, Leprechaun 4 not only takes us to the depths.
For this Horrific Inquiry we take a look at 2010’s vampiric Let Me In.
Written, directed, edited and composed by Dimitri Simakis, The Rainbow Bridge is a science fiction delight that boasts an energetic spirit and a unforgettable oddity.
Despite Aquaman’s need to make one last cannonball for the DCEU, he only makes a mild splash in a mostly empty pool.
The film is both historical and deeply personal in a way that will resonate with those who have been through similar experiences.
Wish is a Disney film with many Disney stuff but rarely features any of that Disney magic, reminding the audience of far better films.
Writer and Director Makoto Shinkai talks about his film Suzume, his influences, video games, mourning, loss and having an asteroid named after him!