exploitation
Like any good exploitation movie Exorcismo feels like a pleasant discovery for a genre buff, a treat from the back of the video store.
Climax is an oddly boring affair, that shows Gaspar Noe has little of substance to offer when divorced from more offensive subject matter.
Let the Corpses Tan is an exhilarating and original work of wild genius that we’ve come to expect from directors Hélène Cattet and Bruno Forzani.
Steven Soderbergh’s Unsane easily fits within the category of exploitation cinema, but why were critics willing to overlook some of its questionable morals (or lack thereof)? Emily Wheeler takes a deeper look.
We look back at House of 1000 Corpses, Rob Zombie’s brutal directorial debut that has since become a cult film in the horror world.
John Waters’ 1974 camp comedy pushed audiences out of their comfort zones, via a raucous celebration of queerness at its most unconventional.
‘So Bad They’re Good’ movies are a thing now. Movie list websites are awash with them. Troll 2 is often the high-watermark, and it appears that most of these no-budget horrors tend to be of American origin.