exorcism
Believer wields the Exorcist saga poorly by vomiting so much at the screen and leaving little more than a mess of themes and characters.
While the film may be what you expect, if you’re a fan of horror or Russell Crowe, or better still a fan of both, this movie is a must see.
Film Inquiry interviews Molly Quinn, who stars in the horror drama Agnes as a nun named Mary dealing with the supernatural.
Neither horrific nor revelatory, The Last Exorcist brings little new to the well-trod table despite its best of intentions.
Blake I. Collier takes a deep dive into the ways films explore dementia and turn it into a source of horror with varied results.
Annabelle Comes Home features great performances from its young cast, but the story is more a miss than a hit. Kevin Lee reviews.
A mostly forgettable endeavor, The Possession of Hannah Grace is a misfire and a reminder of just what happens when you take a similar concept and do it better.
Every year, between five to ten movies are bestowed the honor of being nominated by…
Is this any way to sell a board game? Hasbro’s perennial moneymaker “Ouija” is the basis of Universal’s micro-budget horror franchise in the making, and it’s hard to imagine a game manufacturer working any harder to discourage people from buying its product. The 2014 release Ouija opened at number one, and a followup was inevitable.
Horror is in an extremely interesting place at the moment. Thanks to the rise of video-on-demand platforms and new technology, barriers between creator and distributor are disappearing, the amount of independently-made films are rising and the availability of these films is quite accessible. The trade-off of this is the problem of quantity over quality, which has meant that, much like the exploitation era of filmmaking in the 1970’s, every new or original film that is successful is followed with a string of derivative imitators, looking to cash in on genre recognition or fans looking to branch out on that particular subject matter.