Ewan McGregor
A father takes his estranged daughter on a road trip in an effort to get her out of trouble. Along the way, their strained relationship is put to the test.
With the recent temporary re-release of the Phantom Menace to honor its twenty-fifth anniversary, how does the film hold up?
It has a lot of charm and it’s refreshing to see something playing by its own rules and not following a rigid formula.
The investment of Bleeding Love sneaks up on you delivering a deeply cathartic conclusion.
Criterion’s new 4K Ultra HD Blu-Ray is the best Trainspotting has ever looked and sounded on home video format and is the definitive way of viewing.
Guillermo del Toro’s Pinocchio is amongst his finer recent films as a well as being one of the more standout adaptations of the classic fairy tale.
A father’s wish magically brings a wooden boy to life in Italy, giving him a chance to care for the child.
Doctor Sleep may not be the most satisfying conclusion to both the book and film version of The Shining, yet it is still an engaging film in its own right.
Years following the events of “The Shining,” an adult Dan Torrence meets a girl with similar powers as his and tries to protect her from a cult known as The True Knot.
Christopher Robin offers visual wonder, even if its storyline suggests you may have needed to experience adulthood to truly appreciate it.
Zoe’s detriment is not necessarily any of its individual parts – it’s that they don’t quite add up to anything more impactful or memorable.
T2 Trainspotting, though enjoyable in its own right, ultimately relies too heavily on nostalgia for the original to be a complete success.
There’s a warm feeling that engulfs you when viewing an old Hollywood musical. Usually, it’s a wave of nostalgia as soon as the opening credits start to roll. When silver screen icons like Gene Kelly, Cyd Charisse, Ginger Rogers or Fred Astaire show up on your screen to entertain the masses for a few hours, you’re guaranteed an entertaining, yet competent, movie experience.
Ewan McGregor stars across Stellan Skarsgård, with Naomie Harris and Damian Lewis, in this film adaptation of the John le Carré (who is also on board as executive producer) novel of the same name, with a screenplay penned by Hossein Amini, helmed by British director Susanna White. With neo-noir ingredients, this thriller falls somewhere between slow-burn and slow-going. At times, we’re left to wonder why there isn’t more action, or twists (I felt similarly during Jack Ryan:
Within the last couple of years, the Western seems to have made a semi-comeback. Recent notable titles include John Maclean’s directorial debut Slow West, the horror-thriller Bone Tomahawk, and Quentin Tarantino’s claustrophobic and violent The Hateful Eight. And, in just a few months, a remake of The Magnificent Seven will be released, a film adaptation which has attracted the likes of Denzel Washington, Chris Pratt, Vincent D’Onofrio and more (which is hopefully an indication that it is at least halfway decent).