European Cinema
Despite its humorous undertones, Christos Nikou’s Apples can’t overcome a frustratingly muted and opaque style.
Grímur Hákonarson’s The County follows an Icelandic widowed farmer as she fights beauracratic corruption and injustice.
Like its title suggests, it is a peculiar tale that lives on its frustrating evocation of the ambiguity of love.
The Trial is one film that fell through the cracks and achieved some notoriety, but it’s also a tragedy that there were many more that were ignored.
On numerous conscious and subconscious levels, Jean Vigo’s Zero for Conduct is one of the most honest examinations of humanity and human society yet made in cinematic form. That is Anarchic Cinema.