Essie Davis
The Justice of Bunny King presents audiences with a mesmerizing character study on the undeterred spirit of motherhood.
Nitram is a potboiling study of human fragility that doesn’t heal our scars so much as it asks us to accept that they are here to stay.
A stellar debut packed with poignant performances, the beautiful Babyteeth announces Shannon Murphy as a director who deserves our full attention.
When seriously ill teenager Milla falls madly in love with smalltime drug dealer Moses, it’s her parents’ worst nightmare.
The True History of the Kelly Gang is often punishing and resistant to facile translation, but there’s no denying the merciless power that Justin Kurzel brings.
Mindhorn, the debut feature film from theatre director Sean Foley, has one hell of a concept that has been created as a Frankenstein’s monster, taking bits and pieces from other British cult comedies from the last two decades.
“If it’s in a word, or it’s in a look, you can’t get rid of The Babadook”. The mainstream horror genre is in a bad state at the moment. In the wake of the success of Paranormal Activity, Hollywood studios are taking advantage of the huge financial potential of the genre, and the fact that you can spend very little money on a horror film and make a huge profit off of teenage audiences.