erotic
Babygirl’s depictions of kink, while surface-level can ultimately be read as an intricate and compelling portrait of powerplay as direction.
Overall it may fall short, but In the Realm of the Senses is a beautiful-looking film with a calming yet haunting score that touches on some urgent themes.
The English language debut of iconic French director Claire Denis is thematically dense and transgressive, designed to provoke intense debate.
Michele Beck didn’t have an interest in pole dancing originally. Curious, she decided to take…
My Erotic Body shows that a woman’s true erotic self is not defined by a specific body type, age, or what society deems as attractive.
Uniting four legends of the screen for a shot of summer silver screen cinema, Book Club is every bit as formulaic, disposable and harmless as you would expect.
While nowhere near the best picture of 2018, Fifty Shades Freed does prove itself to be a tantalizing, sultry, and seductive conclusion to the saga of Anastasia Steele and Christian Grey that is sure to satisfy fans.
With poor direction, effects and performances across the board, The Black Room is unbearably difficult to sit and watch.
Unforgettable is an attempt at a provocative erotic thriller, but it relies on overused tropes and cheap parlor tricks to get it done,
With overly drawn-out scenes and a sprinkle of randomized and at times unnecessary drama, Fifty Shades Darker left much to be desired.
Despite the title being one of the most fascinating I’ve seen in a while, Careful What You Wish For, directed by Elizabeth Allen Rosenbaum, is about as painfully average as a neo-noir thriller film can get. You will not be surprised or fascinated at any point in this film, where a younger man takes an older woman (Isabel Lucas) as his lover. Though, said older woman isn’t all that much older than him, sadly showing how limited roles for women are in this industry.
A remake of the 1969 Italian-French film La Piscine and partly inspired by David Hockney’s ‘Swimming Pool’ painting, A Bigger Splash is the fourth feature film from Luca Guadagnino, and has already made significant waves with critics and audiences alike (sorry for the absolutely appropriate pun). Starring Tilda Swinton as rockstar Marianne recovering from throat surgery, and Matthias Schoenaerts as her ever-loving albeit boring boyfriend Paul, the two of them aim to escape life to an idyllic Italian island in the middle of the Mediterranean. No phones, no work, no interruptions.