Erik Poppe
For all its faults, U – July 22 attempts to throw the viewer into an unimaginable situation instead of passively retelling it is worth celebrating, even if it doesn’t fully achieve its immersive aim.
AlexLines reports on the films he was able to see during the Volvo Scandinavian Film Festival, including a coming-of-age film and a gripping biographical drama.
Gus Edgar reports from the Berlinale in Berlin with reviews of Pig, Don’t Worry, He Won’t Get Far On Foot, Season of the Devil, 7 Days in Entebbe and U-July 22.