Emma Stone
Yorgos Lanthimos’ Kinds of Kindness is smart and funny, uncomfortable, moving, and confusing. It is also beautiful.
Three stories about a man who tries to take control of his life, a policeman whose wife seems like a different person, and a woman searching for someone.
Poor Things is a brilliantly weird odyssey of beauty and bile that goes down like a wonderfully bitter-and-sweet cocktail.
Cruella is a welcome return to the good, dark, bold filmmaking that we haven’t seen in a long time from Disney.
A live-action feature film following the evil exploits of Cruella de Vil, the villain from the Disney film, “101 Dalmatians’.
Zombieland: Double Tap is a funny, but unnecessary sequel to the 2009 zom-com from Ruben Fleischer. Maria Lattila reviews.
Columbus, Tallahasse, Wichita, and Little Rock move to the American heartland as they face off against evolved zombies, fellow survivors, and the growing pains of the snarky makeshift family.
The Favourite may be Lanthimos’ most crowd pleasing work yet, but it doesn’t shy from showing the doomed reality of chasing power.
Director Yorgos Lanthimos’ latest is his first truly empathetic character study, aided by three powerhouse performances from Colman, Weisz and Stone.
Expelling all mental illness, Maniac blends all conceivable genres and tones, in an unmistakably difficult balancing act set in an unknown retrofuturist timeline.
With an infectious sense of humor and some wonderfully dynamic performances, The Favourite is a shining example of a filmmaker at the prime of his art.
In The Favourite, a frail Queen Anne occupies the throne and her close friend Lady Sarah governs the country in her stead. When a new servant Abigail arrives, her charm endears her to Sarah.
It’s a tough time in Hollywood for the male elite at the minute, as their history of heinous behaviour towards women gradually becomes common knowledge.
Emma Stone shines as tennis player Billie Jean King in Battle of the Sexes, which reminds us of how little progress we’ve made since the 70s.
La La Land is a tribute to classic musicals, yet also attempts something different by subverting the romanticized outlook that they have.