Emily Blunt
Assuming cinema etiquette is still alive, the loudest sound that can be heard among A Quiet Place’s audience will be their own semi-breathing.
Bleak thrillers that satirize the modern nuclear family seem to be increasing in popularity in recent years. The most prominent example would obviously be Gone Girl, based on Gillian Flynn’s novel of the same name and directed by David Fincher. The latest film that could classify within this subgenre is The Girl on the Train, which contains many similar elements to Gone Girl, including a mysterious disappearance of a woman, which the film’s events revolve around.
“Your American ears won’t understand, your eyes will see things that make no sense, but in the end you’ll understand,” DOD Operative Alejandro (Benico Del Toro) Brazen sunlight beats down on the terrain, voiding any visible shadows. Homes and domiciles of the Phoenix desert fill and occupy the frame, and the camera remains momentarily stationary. But then, in an instant, the machinery that captures and reproduces light stirs and begins to pan from right to left across the suburban community; as human beings, FBI agents in full riot gear with guns pointed, to be precise, enter into the picture.
In Edge of Tomorrow, Earth is hit by a meteor infested with a strange and highly violent alien species called the Mimics. They immediately start to destroy the world, and everything the humans do is futile. The alien species is strong and fast, and more importantly, has control over time – though no one (aside from a very select few) is aware of it.