Eli Roth’s Thanksgiving is a glorious return to his horror roots, a masterclass in skillfully-made, low-budget grindhouse terror.
The House With A Clock In Its Walls has a sense of mischievous fun, with a hearty serving of chills and chuckles to overwhelm any shortcomings.
A young orphan named Lewis Barnavelt aids his magical uncle in locating a clock with the power to bring about the end of the world.
Death Wish is a victim of poor timing due to current public sentiment in regards to guns and violence, but its generic revenge story and wasted cast don’t much help matters either.