economy

Is there a term for one-hit wonder film directors? Whilst the idea of the one-hit wonder is quite prevalent within music (I’m a sucker for late ’90s, early 2000s one hit wonders, who doesn’t love Breakfast at Tiffany’s?), it’s a concept that’s becoming quite frequent in cinema as well; filmmakers who coast off the success of one film.

Set in 1630, Robert Eggers’ The Witch follows a family banished from a Puritan community and forced to live, isolated and penniless, in a remote woodlands shack. Soon, malevolent forces begin to molest the kids and infect the goat, and the family is engulfed in a maelstrom of religious hysteria and occultist magic. With its deeply unsettling atmosphere and frenzied performances, The Witch has (not undeservedly) become one of the most acclaimed horror films of the new millennium, with many critics praising its attention to detail and the slow-burning tension of its narrative (as well as its mascot:
WOLFEN: Horror, Capitalism & The Environment
Watching Wolfen in 2020 is like opening a time capsule full of predictions that have all come true.