drugs
Although the film ultimately posits that there is far more going on than meets the eye, Braid has more than outworn its welcome.
It’s been ten years since massive AMC hit Breaking Bad took to the screens and masterminded its way into television history, and it hasn’t begun to lose its luster yet.
The Mule is a worthy callback to Clint Eastwood’s career, playing a 90-year-old drug mule that hopes to make up for his past shortcomings.
We break down the career of Dave Franco, who transitions from the inherently unlikable pseudo-villains to the everyman, unconventional heroes, and some bizarre characters sprinkled in between.
Unfortunately, the ill-conceived story of Ben is Back does not shine light on the opiod crisis, creating a seedy, underground world that the uninitiated can never comprehend.
Beautiful Boy is a simple story of a dying boy and his father’s desperation, and a complex addressing of the difficulties in achieving sobriety.
In the spring of 2016, Embrace of the Serpent, “[Y]oung people, when they see this…
Studio 54 was blessed to be a documentary about something unendingly interesting, unfortunately, by taking on a big topic and failing to ever get specific,it fails to live up to its great potential.
Climax is an oddly boring affair, that shows Gaspar Noe has little of substance to offer when divorced from more offensive subject matter.
Polterheist fails to succeed as a comedic or horrifying film, finding no progression of plot but rather further perpetuates racism, misogyny and homophobia.
The saying goes that the story writes itself, but White Boy Rick shows that even the best tales can be crafted into a boring, listless film.
Ozark’s sophomore season lives up to both critic and viewer expectations with a complex web of storylines and characters intricately placed to be the visual chess board TV has been waiting for.
Nico, 1988 from director Susanna Nicchiarelli respectfully marks the 30th anniversary of the late singer’s death while attempting to restore a little of her legacy.
Matthew Heineman’s The Trade is an exposé of the highest calibre, examining up-close a crisis with no tangible solutions.
Sicario: Day of the Soldado is an empty shell of a flick, one that tries to emulate the success of the first but lacks all the components that made it so brilliant.