drugs
Castle In The Ground is undeniably effective in its portrayal of the opioid crisis, but loses itself in its hopeless narrative. Maria Lattila reviews.
In Ozark season 3, the direction, writing, performances and tense, foreboding atmosphere continue to be stellar and highly immersive while these characters continue to grow and evolve for the show’s betterment.
Featuring a solid turn from Justin Long, The Wave is a delightfully different drug comedy.
A cheeky, old-fashioned return to form, The Gentlemen arrives at the right time in Guy Ritchie’s career.
While it isn’t a terribly exciting conclusion to a richly-textured saga, it’s the little moments along the way that make El Camino a heartfelt final chapter in a great character’s story.
First Love mixes and matches generic elements freely and playfully, making it impossible to pin down into one category.
Tigers Are Not Afraid is a standout film beneath the phantasmagorical flourishes is a story that is all too grounded in reality.
While it’s set up with a poignant perspectives, Cubby fails to provide an introspective look into loss and growth.
Matteo Garrone is arguably one of the most talented filmmakers working today. He is certainly,…
Lost Child has an unquestionably compelling foundation, but it becomes too drenched in its own sentimental messaging.
Kent Jones’ Diane struggles to define itself as something more than an average, albeit thoughtful, indie film.
Ciro Guerra and Cristina Gallego’s Birds of Passage takes us to the Guajira Peninsula, a…
In the first part of Trash Caviar in which Julian Rosenthal inspects the finest of trash, he recalls Nicolas Cage’s off-the-wall character in Bad Lieutenant: Port of Call New Orleans.
With a strikingly effective energy of both heart and strident bitterness, Cat Sticks like the disease of addiction itself is conveyed in a wise and endearing manner.
Although the film ultimately posits that there is far more going on than meets the eye, Braid has more than outworn its welcome.