dreams
Having done everything from gangster films to gothic horror, Ferrara and Dafoe have captivated audiences with their deeper, arthouse works.
To celebrate the tenth anniversary of Inception, we’re going back down the rabbit hole to discuss the film’s plot and make sense of Christopher Nolan’s frenetic dream world.
Tarkovsky’s Ivan’s Childhood, perhaps more than any other film, shows the complexities of dreams, here shown through the eyes of a childhood experiencing the trauma of war.
Despite promise and an interesting concept, Zen Dog in anything but unique disintegrating into a series of indie tropes.
The Golden Bear winning, Oscar nominated On Body and Soul is one of the most bizarre love stories in recent memory. It’s a treat for adventurous viewers.
Paperback is a romantic comedy, which isn’t terribly funny or romantic, falling flat because it is trying to make you root for the terrible parts of its main character.
There’s a sense of shallowness to Ferdinand, a film so generic and formulaic that it’s hard not to be cynical about its construction.
Félicité contains some of the most powerful moments of any movie this year, yet never quite amounts to the sum of its impressive parts.
If nothing else, Te Ata triumphs at breathing new life into a legend, and allowing us the pleasure of re-experiencing her vital legacy.
Though choppy and unfocused, with campy and cringeworthy acting, The Evil Within it has a certain charm behind its bizarre facade.
In this installment of Take Two, Robb Sheppard reconsiders David Lynch’s Mulholland Drive after a less-than-satisfying first viewing.
Our next installment of Take Two sees us examine David Lynch’s divisive debut feature about strange dreams and deformed children: Eraserhead.
Your Name is the latest anime from Makoto Shinkai; grounded in a contemporary setting, it is as endearing as it is gorgeous to watch unfold.
La La Land is a tribute to classic musicals, yet also attempts something different by subverting the romanticized outlook that they have.