drama
Another Day in America is a sharp social commentary with explosive performances and a searing snapshot of everyday life.
Hold Your Breath is a fantastic film and at a short runtime, what do you have to lose to give it a shot?
Tarkovsky’s work redefined how the language of cinema can be used to tell stories, especially with The Sacrifice.
As in all his work, McQueen coaxes strong performances, with particular props to first-timers (at very different ages) Heffernan and Weller.
We spoke with Johnny Ma whose film The Mother and the Bear is a vibrant and unique film that points toward the evolving versatility of Canadian filmmakers.
Despite its inconsistent storytelling and wooden performances, Night of the Harvest offers a certain charm that inspires appreciation for filmmaking.
Film Inquiry spoke with writer/director Zoe Eisenberg for her film Chaperone!
Through its rich mix of dark comedic elements and deeper psychological questioning, something fascinating is evoked in A Different Man.
If you somehow need more proof that artificial intelligence cannot rival the humanity needed to create great art, all you need to do is watch Anora.
Wilson Kwong spoke with writer Blessing Uzzi and director Afolabi Olalekan about their film Freedom Way and its powerful story on police brutality.
Yorgos Lanthimos’ Kinds of Kindness is smart and funny, uncomfortable, moving, and confusing. It is also beautiful.
The Toronto International Film Festival brought quite the number of horror films this year. Kevin L. Lee reviews Heretic, Presence and Hold Your Breath.
On this TIFF report, Kristy Strouse reviews The Mother and the Bear and Shepherds – two unforgettable films on a path to self discovery.
WE’RE NOT MARRIED? Interview With Star Danielle Larracuente and Writer/Executive Producer Rae Lashea
Film Inquiry spoke with Danielle Larracuente and Rae Lashea for the film We’re Not Married!
Both The Substance and The Last Showgirl evaluate mortality by leaning on their respective stars’ relationship with celebrity in real life.