drama
Young adult love stories will always have an audience, but After was trite, formulaic, and lacking in any kind of sparkle.
Like Miyazaki, Kosaika focuses on growth as a result of loss and ties it with the spiritual and fantasy world in Okko’s Inn.
Straight from Tribeca 2019, Kristy Strouse reviews Two/One, A Day in The Life of America, The Kill Team and spoke the cast and director on the red carpet.
The Chaperone is a film that’ll be gone by the month’s end, swallowed by the studio system and erased by this year’s loaded summer season.
Despite few releases due to Avengers and politics, cinemagoers were served with two major Bollywood releases this month: Romeo Akbar Walter and Kalank.
Starfish’s reach might ultimately exceed its grasp, yet the film still succeeds as an immersive, stunningly crafted apocalyptic sci-fi.
Surviving the experience of Queen of Diamons means being rewarded with a film that has more to say with far fewer words than much of independent cinema today.
American Gods will be back for a Season 3 with a lot of story to unpack as the show seems to be just vamping up.
About a Donkey embraces its identity, and allows its viewers to grasp this, but also infuses their own personal experiences within these character’s journeys.
A film that is laced with pride and hope without the frilly details of any other sports film, The Grizzlies is all about grit, raw and tender moments of belonging and the strength to continue on.
Screening at this year’s Tribeca Film Festival as part of the U.S. Narrative Competition, Blow…
While it’s plot is relatively flimsy, American Woman thrives on the basis of its powerful performances, particularly those from Hong Chau and Sarah Gadon.
The tension between musical and war drama at times overwhelms the picture – but god, even when it’s a failure, Swing Kids is entertaining as hell.
I came to the conclusion that I like watching paint dry because not only did…
Matteo Garrone is arguably one of the most talented filmmakers working today. He is certainly,…