drama
Crisis Hotline is upsetting, but it vividly portrays how we can’t always control the outcome. Andrew Stover reviews.
While Photograph is frequently too slow to engross yourself in, it’s unique and intriguing enough to carry interest.
Dogman stands as a uniquely moving viewing experience, reinvigorating a film movement that otherwise might seem obsolete or outdated.
In our latest Cannes roundup, the team reviews a variety of films, from Céline Sciamma’s Portrait of a Lady on Fire to Boon Joon-ho’s latest Parasite.
While it would take the serious alienation, River of Grass has all of the seeds that would bloom into one of the 2000s greatest filmmakers.
With a strong idea that isn’t executed as it should have been, The Rainbow Experiment ends up less enthralling than its titular incident.
For all of the accusations thrown around in The Reports on Sarah and Saleem, nobody can accuse this Palestinian drama of being melodramatic.
Art is inseparable from death. This is one of the main conclusions of Abel Ferrara’s meditation on the always controversial Pier Paolo Pasolini.
This is the end. The ashes have settled. It may be a somber one, but Game of Thrones’ characters’ fates have finally come to pass. Was it satisfactory?
The Tomorrow Man examines the relationship of two elderly people preparing for the end of days that despite its charm remains shallow.
Do you like dogs? Then you might like A Dog’s Journey, the latest puppy compilation turned corn-syrup narrative released by Universal Pictures.
In The Twilight Zone’s 8th episode Ginnifer Goodwin plays a woman captured by government officials. Alexia Amoriello reviews.
On May 17, Phoebe Waller-Bridge’s sarcastic anti-hero, Fleabag returns to the screen one last time,…
Faith-based films like Breakthrough, can often be a big ask for audiences, religious or otherwise. Find out more in our review.
Catherine’s dream of wedded bliss, her dream of staying in her adopted country, her dream of being queen. All hopes are gone in a puff of smoke.