drama
Dani Cooper spoke with Darya Zhuk, director of the drama Crystal Swan, about making the film, her inspirations, change in Belarus and more.
Besides a slight hiccup, Swamp Thing’s pilot episode is a promising start for the superhero/horror series.
Late Night is a funny and witty film, that boasts a stellar cast, brilliant performances and and even better writing.
The Last Black Man In San Francisco is a deeply moving film, and probably the best film with San Francisco as its backdrop.
While director Xavier Dolan and the film’s characters say goodbye to their twenties, Matthias et Maxime itself leaves much to be desired.
Tater Tot & Patton doesn’t play by those rules. Instead, we are given an odd, slow burn with endearing performances and a lesson to be learned.
The hands of power have shifted and four pomegranate seeds have been gathered – we are halfway through The Spanish Princess!
Chernobyl has haunted and disturbed viewers with visual elements and direct faults of man so far, the fourth episode yet is the hardest of them all.
The third episode of Chernobyl leaves you helpless with this ghoulish and grisly wave of inevitably, but you can’t for the life of you take your eyes away from it all.
Warren Beatty’s Reds may be the final prestige picture that ideologically represents New Hollywood. Read our retrospective review of the 1981 epic.
Rocketman is big screen entertainment done right, an inventive rock-opera that brims with energy and color.
While The Sun Is Also A Star does its job, it falls prey to the humdrum curse of countless other romance films.
The penultimate episode of The Twilight Zone tackles gun control with mixed results. Alexia Amoriello reviews.
Episode 3 of The Spanish Princess ups the ante with more death, ambition and romance. Katy Kostakis reviews.
In our final Cannes roundup, the team reviews some of the festival’s hotly anticipated films, including the latest by Quentin Tarantino and Xavier Dolan.