drama
Too Old To Die Young is an exhausting watch, we can only assume there will be a big reward at the end for us loyal viewers.
Look past the frilly costumes and posh accents of The Bostonians, you’ll find a battle of the sexes that remains relevant into the 21 century.
The Refuge keeps patient viewers hooked and film lovers invested by maintaining a harsh and eye-catching atmosphere and storytelling angle.
In his first recap from the 2019 Sydney Film Festival, Alex Lines reviews Saturday Afternoon, Synonyms and Why Won’t You Just Die?
In Reality might not fully pass The Bechdel Test, but it’s a fun exploration of dating life and Ann Lupo’s filmmaking skills. Tuesday Blue reviews.
Pause examines the life of a woman trapped in an unhappy marriage, played with gusto by Stella Fyrogeni. Aaron Berry reviews.
Though beautifully crafted, Too Old To Die Young is a slow and frustrating watch that’s hopefully worth it in the end.
2019 saw the end of both Game of Thrones and The Avengers as we knew them. Luke Walpole takes a closer look at the respective finales.
A film that is not enjoyed so much as processed, Midsommar is a rare experience that is not to be missed. That being said, you absolutely cannot skip it.
The first season of Gentleman Jack is a largely amiable watch, putting a character we’ve not seen before in a series that feels quaintly familiar.
Papi Chulo is executed so exceptionally well and clearly with such care, that emotion pours out of the screen.
Dark Victory is yet another film released during the landmark year of 1939 all but cementing Bette Davis’ reputation as a force of nature.
With deeply moving and dynamic performances top to bottom, American Woman is a powerhouse of a film.
Episode 6 of The Spanish Princess ups the ante with more death, ambition and romance. Katy Kostakis reviews.
Wade in the Water is raw, supplying dialogue that’s probably too forthright for Hollywood, but it also pulls off something inventive and darkly funny.