drama
Kristy Strouse spoke with Bruce Dern about his latest film, Freaks, working with his young castmate, what he looks for in characters, and how things have changed for him over the years.
Read our review of Nicholas Ray’s genre-defying, low budget gem On Dangerous Ground now streaming on the Criterion Channel.
Tarantino isn’t afraid to reshape and play with the truth, making Once Upon a Time in Hollywood one of his boldest and bravest to date.
Ambitious in scope and scale, all while taking the time to flesh out all of its characters and immerse the viewer in moments of striking intimacy, Euphoria leaves no stone unturned.
Teacher is a weighty insight into today’s bullying, masked by the layout of a thriller and a performance by David Dastmalchian.
Mr. Jones is a harsh, masterful film about being wary of the lies being fed to you by your media and your government.
Writer, producer and director Nicola Rose spoke to Stephanie Archer about her new shorts, Gabrielle and Into the Land of Moonstones.
Even with a few decent set-pieces and exceptional acting from the ensemble, The Kitchen is not the adaptation we deserve.
Stephanie Archer spoke with writer/director Mike Doyle about his film Sell By, ice cream trucks and his success with diversity.
Captivating, heart warming and relatable, Sell By is the rom-com you didn’t realize was missing – and you will be thankful you found.
Two new shorts from director Nicola Rose, Into the Land of Moonstones and Gabrielle, tell us that it is important to remember that the sky is always blue.
Where the company has become an auteur-like entity synonymous with good, cheap thrills, The Keeping Hours just isn’t scary enough to live up to Blumhouse’s horror brand.
While absolutely absurd, See You Soon is as sweet, fluffy and bad for your brain as cotton candy – and yet it’s also weirdly enjoyable for all of those reasons.
In our first recap from this year’s MIFF 2019, we look at the films The Invisible Life of Eurídice Gusmão, Koko-di Koko-da and Tommaso!
With Happy New Year, Colin Burstead, Ben Wheatley has crafted a very funny, very real family drama that shows a simple universal truth: all families are weird.