drama
The Last Tree isn’t perfect, but it’s an honest and insightful coming of age story that deserves to find an audience.
Potrait of a Lady on Fire builds to an awe-inspiring, pulsating crescendo that leaves the audience’s collective heart thudding.
In a lover letter to the horror genre, AHS 1984 packed a nostalgic punch – leaving the door wide open for more homage to come.
Eddie Murphy is at his absolute best in Dolemite Is My Name. The humor and chops for drama that he brings to the role are a perfect c*cktail that you just can’t help but drink up.
A beautifully orchestrated collaboration of horror films, AHS 1984 is gruesome, graphic and for those who love gore, oh so satisfying.
While Season 3 of 13 Reasons Why is not as strong as its previous seasons, that does not make it any less relevant.
Sounds and vibrations undoubtedly shape the world as we know it, in turn capable of…
With a talented and diverse cast, chills coming from the darkest corners of television and unending potential, Evil is definitely the one to watch.
Pablo Larraín’s Ema is certainly the most unpredictable, wild, and unconventional study of a frayed woman at this year’s TIFF.
Much like that of a promising get away, The I-Land is stunning on the outside with far less to offer on the in.
The disappointment when Cargo turns out to regurgitate the messages of a Hollywood production despite the unique style can’t be understated.
Brilliantly utlizing animation and storytelling, Undone is unquestionably one of the best TV series of 2019.
Coda and Low are two short films that indicate why the rise of short films on streaming platforms is fortuitous. They deserve to be seen.
Marriage Story is amongst Noah Baumbach’s finest works; it is sympathetic and charming, while containing some career-best performances by Scarlett Johansson and Adam Driver.