Low Tide is a tactile, explosive study of masculinity, an exploration of what boys do, what makes them do it, and how they need to learn to stick up to each other.
Dolemite is my Name manages to be a loving ode to Blaxploitation and Black independent filmmaking while still being one of the funniest films of the year so far.
Temptingly measuring suspense and psychological anguish, A Dark Foe doesn’t always fulfill its thematic potential, but the effort ensnares you in its grip.
While it’s true that film as a medium is intrinsically subjective, it seems pretty clear amongst viewers with knowledge of film that Parasite will go down as a classic.
Gwen is an effective and daunting horror that engulfs its audience with perfect production design and cinematography that throw you into the eerie and frightening Welsh highlands.
With groundbreaking visual effects, a razor sharp script, three generational talents and the great Martin Scorsese, The Irishman is as exceptional as you’d hope.
Ága shows how native practices of conservation, sustainable living, and a deep and respectful connection to the land is all but withering away in the face of our technological acceleration.