drama
Rather than through narration and a remembrance of mafia life, The Traitor dispels the myths of cosa nostra through testimony and the post-mafia life of Buscetta.
The Killing of Two Lovers ineptly attempts to depict a man navigating the various extremes of modern manhood.
The last few years have come with a slew of fantastic horror films, and unfortunately The Turning does not fall into that category.
Showtime answered the pleas of many – the return of Alice, Bette, and Shane alongside new, engaging characters graced the small screens in the sequel, The L Word: Generation Q.
Nine Days is Brazilian director Edson Oda’s feature debut, and he is off to an amazing start with this beautiful, meditative film.
Beyond its clear feats for being a feature debut, Les Misérables is an urgent urban masterpiece.
Despite its modern horror settings, there’s little to sustain anyone who dares dig their teeth into this limp and pale take on the character.
La Bamba is a well-versed depiction of Ritchie Valens’ life and it is evident a tremendous amount of care was put into the production of this film.
Minhal Baig marries an American indie aesthetic with a uniquely immigrant narrative for something fresh, vital and worthwhile.
While the performances, production, and humor remain top-notch, Sex Education season two is a regressive step compared to its revolutionary first season.
Like the pulse of life, in Waves, there are times to laugh, to cry, to mourn, to smile and to hope. And the biggest weapon we wield is the capacity to forgive and persevere.
Sadly, it’s hard to call this final chapter of the Ip Man saga a successful piece of filmmaking.
Troop Zero is a feel-good film in every sense of the word and it is the hope of this critic that people find and cherish this film.
Underwater isn’t an outright disaster, but it’s not a diamond in the rough, either.
Though featuring actors and events you’ve seen before, Mob Town should have been left on the shelves.