drama
The Rhythm Section has some enjoyable elements, but in the end, this mostly formulaic flick isn’t the female-driven spy thriller we’ve been looking for.
The Personal History of David Copperfield is a truly sincere retelling of Dickens’ story, one that taps into a new contemporary edge and presents itself in a distinctly cinematic fashion.
For a movie like And Then We Danced, so steeped in the traditional culture of Georgian dance, to embrace its taboo subject matter is defiance, artistically rendered.
Idealism can be a tough sell, but Ironbark sells the hell out of it nevertheless, remaining firmly committed to its compassion for individuals caught up in the iron grip of history.
Chilling Adventures of Sabrina didn’t quite deliver on all fronts, deploying more inspiration from Riverdale — a decision that ultimately backfires.
The Outsider’s measured pace is beginning to feel like it was put in place to forcefully expand this story into 10 episodes, not just for the slow-burn effect.
As “Maps and Legends”, the second episode of Star Trek: Picard, comes to an end, it still feels like a show that’s yet to start telling its actual story.
With the series now concluded, if there’s one thing that The Good Place has taught us is that we shouldn’t give up on trying to be better.
Despite some stumbles and clumsy writing, the first season of AJ and the Queen is a heartwarming, heartbreaking delight that lets you ride out every emotion.
The Assistant is a gripping film masterfully directed by Kitty Green and featuring one of Julia Garner’s best performances to date.
In the end, BoJack Horseman is a show about growth, and Season 6 proved that the series evolved along with its characters.
With Never Rarely Sometimes Always, Eliza Hittman has crafted an important piece of cinema, which demands a lot from its audience, but also has an enormous amount to give back.
Shinkai’s Weathering With You is more than content to face the onslaught with the naive fantasies of youth. He’s unabashed about giving himself over to them totally.
In her second report Kristy Strouse reviews Josephine Decker’s Shirley and Alan Ball’s Uncle Frank.