drama
Downhill skews and scraps the richness of its predecessor and replaces it with dragging drama and cringy comedy.
This adaptation of The Call of the Wild doesn’t quite have the same impact as Jack London’s bold portrayal of nature versus man. But it’s hard to decry it all the same.
This episode of Homeland leaves us wondering if perhaps, the show may finally be coming to understand the responsibility in commenting on volatile real-world situations.
The Professor and the Madman limps out as a woefully half-baked and overcooked spectacle that mistakes reality for relevance.
We were able to talk with Veronica Chen at Sundance Film Festival, director of the thriller High Tide.
“Absolute Candor” is the first properly disappointing episode that finds Picard treading water and lacking any discernible direction.
Unfortunately, Billy Crystal and Ben Schwartz aren’t enough to elevate Standing Up, Falling Down to success.
While it could have taken more risks, season one of Locke & Key gives us a feasible starting point for what could be a flourishing new fantasy series.
Lara Jean Covey is back and more relationship trouble is ahead for her, but the sequel feels like a missed opportunity. Maria Lattila reviews.
The Patient Man is a well-constructed thriller which deserves to be seen not only on the strengths of its convictions, but also for what it aims to achieve.
There are definitely moments in The Photograph that briefly feel like the Valentine’s Day treat it should be. But ultimately, it falls flat.
What Love Looks Like brings very little to the table in terms of originality or likeability. You’ve seen it all before, done better, and in more captivating ways and with better acting.
As has happened multiple times throughout Homeland’s season openers, we’re presented with what may be a bait and switch.
After two weeks of what was beginning to feel like CSI: Picard, it was nice to return to something recognizably Star Trek in “The End Is the Beginning”.
The Rhythm Section has some enjoyable elements, but in the end, this mostly formulaic flick isn’t the female-driven spy thriller we’ve been looking for.