While it once remained in the shadows of cinema, Onibaba has since etched out a place among the pantheon of must-watch Japanese films.
Shirley, as a story, can be unpacked in layers and layers and layers. It’s elegantly built and complex in its structure.
Despite not being as well known as some of his masterpieces, Why Does Herr R Run Amok? makes for an ideal introduction to Rainer Werner Fassbinder.
While not shooting very high, The High Note is light, charming, and filled with all around winning performances.
While there are some joys to be found throughout the season finale, every answer to the season’s overarching narrative doesn’t feel satisfying.
There is so much going on in The Accompanist that none of the elements ever really come together to form a cohesive story.
Now available on Mubi, Ghost Town Anthology evokes the presence of a forgotten and bedeviled past buried underneath it.
Zoey’s Extraordinary Playlist has it all: laughs, tears and great tunes, showing that it could be the best new TV show around.
Proving that history is still relevant to the present, The Great is a unique period drama that is part entertaining, brutal, and raunchy all at once.
New alliances are formed, things are moving fast, and the stakes are just getting higher each episode.
Mrs. America is an extraordinary limited series. It’s wicked, empowering, and, at times, frustrating. Just like a life of almost every woman I know.
Bosch is an impressively crafted ensemble show with a wealth of excellent actors that make for an impressive consistency over its six-season run.
A stellar debut packed with poignant performances, the beautiful Babyteeth announces Shannon Murphy as a director who deserves our full attention.
“Beautiful Monster” fails to carry the momentum that the last few episodes have established.
While a narrative focusing on young women exploring their sexuality without judgment would usually be greeted with enthusiasm, CRSHD treads well-worn stereotypes.