drama
Musanna Ahmed spoke with director Mark Jackson about his film This Teacher, co-writer Dana Thompson and star Hafsia Herzi, and more!
Bloody Nose, Empty Pockets is an immersive experience to say the least. It’s a bold cinematic achievement and fine work of deception.
Dark demands patience and provoked tempting reflection on fate, it’s final season feeling organic and giving the send-off it deserves.
Alex Lines spoke for director Natalie Erika James about her directorial debut Relic, the process of co-writing the script and influences.
In a deeper look, Relic is a film that will leave you speechless, enamored with the visual showcase you have just witnessed.
Relic, through a deliciously brilliant depiction, personifies and tackles the social and familial issues surrounding dementia.
Almayer’s Folly is a movie that quietly but forcefully acknowledges Chantal Akerman’s feminism, accommodating the racial imbalances with equal space as the gender dynamics.
Die Beautiful offers a refreshing and invigorating perspective on life and death; the culmination of human experience tucked in a casket.
The Truth is an impeccable and intimate view into the quietly tumultuous relationships between mothers and daughters and the shape they take into adulthood.
The kind of film that could only come from the mind of Werner Herzog, Family Romance, LLC is absolutely fascinating.
House of Hummingbird isn’t the easiest of films to watch, but it is definitely one of the most rewarding.
Fisherman’s Friends eagerly invites its audience in and provides a worthwhile and heartwarming story that will have you humming along.
Despite feeling disjointed at times, Wake Up: Stories from the Frontlines of Suicide Prevention is a highly informative piece of filmmaking.
The films of John Singleton have provided thought-provoking stories, honest characters, and imagery that lingers well past each viewing.
As Clay and his friends say good by to Liberty High, so too do we to the relevancy and unrelenting focus of a series unafraid to look away.