drama
Disco Boy doesn’t quite work, though thanks to some quality craftsmanship and the always-fantastic Franz Rogowski, it does come close.
Kristy Strouse takes on three bold short films, wrapping up this year’s Sundance Film Festival with some horror, some comedy, and some punk rock.
In All I’ve Got and Then Some, Rasheed Stephens brings his own experiences to the big screen to tell a story of passion, dedication, and sacrifice.
A multilayered depiction, Good Grief delivers on what its title promises and audiences will find they are richer in experience for it.
Horror films have trained us to expect the final girl, but Funny Games does not acknowledge this hope and desire for survival.
At this year’s Slamdance Film Inquiry spoke with the writer, director, and two stars of the film DARUMA.
With this report of the Sundance Film Festival, I delve into a world of crime, of the dead returning to life, and a true coming-of-age story.
In my first report from Sundance, I’ve got two debuts and a sophomore film from a talented actor. All three tie together in a unique, familial bow.
Darla in Space and Welcome to the Enclave are great examples of perfect programming with unexpected narratives.
Screening at Slamdance, the short film DOSH focuses on family struggles through the lens of a specific culture and mental health taboos within.
Criterion’s new 4K Ultra HD Blu-Ray is the best Trainspotting has ever looked and sounded on home video format and is the definitive way of viewing.
No films better symbolize the livewire energy of this era in Hong Kong filmmaking than those focused on the youth of the region, such as Spacked Out.
The intense, empathetic storytelling of Inshallah A Boy will keep you emotionally invested up until the very last frame.
Household Saints is a strange yet satisfying brew of family drama and spiritual contemplation that deserves the broader audience it has been denied.
“A Confucian Confusion” is quintessentially Yang, a needle-sharp satire of life in a city increasingly in the thrall of capitalism.