drama
Personal Problems focuses on Black humanity in all of its highs and lows, hopes and fears, mistakes, and triumphs.
William Hopson dives deep into how the power of Elton John music elevated his classic music to new heights in 2019’s Rocketman.
A deeper look at the final moments of Moonlight and A Portrait of A Lady on Fire lead to a profound philosophy of acceptance applicable to everyday life.
Disappearance at Clifton Hill is at-times intriguing and often stylish, marred by its cliched insistence on making the audience question the authenticity.
We take a look at three of South Korean filmmaker Hong Sang-soo’s films: Woman on the Beach, Hill of Freedom and Yourself and Yours.
Based on Bong Joon-Ho’s masterful film, the TV adaptation of Snowpiercer starts slow but builds to a fascinating finale.
The Rental may lack a traditional killer, gore and even an ending but it’s a delicious tale of betrayal and paranoia.
Irresistible seems too afraid of being part of the noise to pull those kinds of punches, and that costs the film some urgency.
The tone of First Cow is warm and fuzzy until the very end that watching it unfolds is like going through a soothing meditation.
There’s certainly a lot to unpack in a film like Wet Season, and it’s something that will surely stick with you for a very long time.
The Painted Bird is a brutal film, yet, if you can stay to the end, you will find a film deeply rooted in the need to keep pushing forward.
Combined with Cianfrance’s ‘addiction’ to this story and the intimacy of the acting, I Know This Much Is True creates a palatable amount of realism.
Greyhound passes by as a monotonous series of skirmishes that never feel that threatening, even when boats are exploding around them.
Exit Plan is a slow burn, but since its stakes are the choice of life and death, every moment is filled with empathy and intensity.
The Way He Looks is a poignant coming-of-age movie with an incredibly sweet romance between Leo and Gabriel at its core.